Unofficial Map: KLM Airlines European Routes Map by Veenspace
Submitted by Veenspace, who says:
I made this map inspired by a recent CityLab post on airline maps. It posed that most maps are geographically accurate but hard to read, and that the maps that do go for minimalism lose any geographical component. There’s a balance between the two that I wanted to achieve: readable & geographical. I chose to design it like a circuit board, with KLM’s central hub as the CPU.
Transit Maps says:
The circuit board conceit is perhaps a little gimmicky, with limited applications in the real world (an ad in a computer magazine?), but there’s no doubt that this is nicely executed work. I haven’t always been the greatest fan of subway map-styled airline route maps, far preferring the grandeur of the great arcs used in traditional airline maps, but this strikes a better balance than most, and has a definite aesthetic appeal of its own. Whimsical fun!
Crowd-Sourced Colours: Vienna turns to the people to decide what colour the new U5 line should be
Submitted by Joshua Davidowitz, who says:
Love your blog and always look forward to the next posting! Anyways, I read that in Vienna, the Wiener Linien are doing a vote of whether the new U5 metro line should be in turquoise or pink.
What do you think?
As for me, I would go for turquoise over pink. The pink I find most confusing where it terminates at Karlsplatz and there is the transfer to the U1. If it was somewhere else on the line network it might work, but here it seems to blend in to the red of the U1. If they wanted pink as a line color, I might switch it to the U6 (brown).
Transit Maps says:
Now this is the kind of crowd-sourcing that I like: allowing the people of Vienna to have a say and feel involved in the process of the building of a new U-Bahn line. That said, each colour has its pros and cons for me. As Joshua says, the pink could potentially cause some confusion at Karlsplatz where it meets the Red U1, but pink has much better visual contrast where the U5 runs alongside the green U4.
Interestingly, both colours have very similar values when previewed in Photoshop using colour-blindness proofing settings, so there’s not much of a difference either way there.
In the end, I’d probably opt for turquoise, simply because it helps keep a balance between warm and cool colours on the map.
What do you think (answers enabled)?
1914 Hoch und Untergrundbahn Map, Sophie-Charlotte-Platz, Berlin
One of 26 panels on the walls of the platforms of this U-Bahn station that show the history of the subway before the First World War.
Submission – Official Map: In-Car Map of Rome Tram Lines
Submission and photo by Chris Bastian.
Does a decent job of showing a large and disjointed network in a limited space, although it’s not exactly stylish. Notable for its interesting “circle” and “half-circle” terminus stations, as well as its use of double-headed arrow station markers to show that trams stop in both directions there.
As the tram network basically circumnavigates the historical centre of Rome, that part is basically compressed so much that it’s barely even present anymore – a factor of the limited space, more than anything else.
The map also cheats a bit, as the “3B” between Stazione Trastevere and Piramide is actually a bus line, not a tram, despite being represented identically on the map.
Our rating: Not bad for an above-the-door map that has to show the whole network, but not really memorable either. Two-and-a-half stars.
Submission – Official Map: Bus Network of Nuuk, Greenland
Submitted by sperwing, who says:
Legends are pretty important parts of maps. Especially if you do things differently than other maps. It is certainly a unique decision that every bus stop is only for one direction. Defining that direction only by the side of the label however is just poor design. (no arrows!)
Transit Maps says:
This is definitely one of the most unique transit maps I’ve seen, in that it requires you to use both the timetable for a given line and the map to work out where the bus actually goes.
Every bus stop on the map has a number assigned to it, and the timetable then lists those numbers in the order that each route stops at them. In the example shown above, Route 1 starts at stop number 26, then calls at 23, 24, 18, 1, 47, etc. In effect, it’s like a giant game of connect the dots, except the dots aren’t even always in sequential order. Following the route described in the timetable on the map can be a bit confusing, because you’ll often have to skip over a number of stops before the next listed number. The ones you skipped are either used by the bus on its return journey, or aren’t actually served by that line at all.
It seems as though some routes go clockwise, while others go anti-clockwise, so I can see why the designers haven’t used arrows to indicate directions… unless the arrows were properly integrated into each and every station to indicate which direction they served, things could get very messy indeed.
As it is, the system is small enough – Nuuk only has 15,000 inhabitants, and the bus company only employs 24 people – that the unusual methods employed by this map are tolerable enough. It’s a little annoying that you’d have to flip from page to page (the map is on one side of the sheet, the timetables on the other) in actual use, but I feel you’d get the hang of things fairly quickly.
The map itself looks pretty nifty – a nicely stylised diagrammatic map – although I’m not entirely sure of the meaning of the circles at certain points along the way. They don’t always seem to line up with the bus stops, but instead seem to just indicate intersections where bus routes diverge. Some of the labelling is a bit strange, and the spacing between some of the route lines is a bit variable, but overall I quite like the way it looks.
Our rating: A nice looking map, but with an incredibly esoteric and quirky route finding system that simply wouldn’t work with a more complex network. Interesting to see something so removed from the normal way of doing things (having just said that arrows are the only way to indicate route directionality). Two-and-a-half stars.
Source: Nuup Bussii website
Infographic: Crocheting in the Subways of Hamburg by Lana Bragina
Now this I love!
Every time that Lana travelled on Hamburg’s S-Bahn or U-Bahn, she would pass the time by crocheting this neat little bangle. The fun part is that she would only use thread that was the colour of the line that she was riding on at the time: green thread for the S1, yellow for U3, etc.
The really extra fun part is that she also made this super nifty infographic that explains the whole thing in a very visual way: the dates that each trip was made on, which stations she rode between and how long (in minutes) that trip took, even little “work in progress” photos of the bracelet after each trip. And then the whole thing is tied into a simple little diagramof “Lana’s Subway” as well. That the whole infographic looks like thick skeins of thread draped across the page is just the icing on the cake. Perfect and wonderful.
Submission - Historical Map: Bus and Trolley-bus Routes in Vilnius, Lithuania, 1968
Submitted by creatures-alive.
A striking transit network map from Soviet Vilnius in the late 1960s. The stark, angular route lines are softened a bit by the wide lazy curves of the city’s rivers, but this is still pretty severe, minimalist, almost abstract design. Also of note is the map’s title and legend, set in five different languages — Lithuanian, Russian, Polish, German and English.
Source: Vilniaus Katalogas website
Submission – Unofficial Map: “Hyper Japan” Directory London Underground Map
Submitted by chiguire, who says:
Found this London Tube map in the Hyper Japan directory magazine. Hyper Japan is some sort of convention about the country [of Japan, held in London – Cam], but I couldn’t stop staring at this map. It’s like a car wreck, it’s horrible but you just can’t stop looking :-P
Transit Maps says:
A great example how you can use all the elements of a successful transit map and still end up with a complete mess. Obviously, the organisers of Hyper Japan didn’t want to pay a licensing fee to TfL for the actual Tube map, so they either made one of their own or paid someone substantially less than the licensing fee to make one for them.
The central part of the map actually looks eerily similar in shape to the real deal, with the (in)famous “thermos flask” shape described by the Circle Line remaining almost intact. However, things go rapidly downhill after that, and much of the system south of the Thames just looks horrible: the DLR and Overground suffering the worst. I’m also pretty certain that the southern part of the Northern Line is at a non-standard angle just so the legend can be squeezed in underneath it.
The square interchange symbols aren’t a patch on the superb interconnected circles of the actual Tube map, and the typography is lacklustre at best. If you need connecting lines between labels and the station they name, then you’re doing it wrong.
Our rating: A poor imitation that really makes you realise how balanced and aesthetically pleasing the Tube map is by comparison, and how difficult it is to make a truly excellent transit map. One-and-a-half stars.
Historical Map: Pocket Diary with London Tube Map, 1948
A lovely little black and white version of the Tube map at the front of a 1948 year diary. Drawn by H.C. Beck (see his name at the bottom left), it shows the central area of London only and is based off the 1946 version of the full map. By 1949, interchanges were being drawn with a white connector line between adjacent circles, rather than the separate circles seen here.
Historical Map: Unpublished Proof of H.C. Beck’s London Underground Diagram, 1932
A printer’s proof of the first card folder (pocket) edition of Beck’s famous diagram, with edits and corrections marked in his own hand.
Of note is the use of quite ugly and overpowering “blobs” instead of the now-ubiquitous “ticks” for station markers, and the fact that the map has been entirely hand-lettered by Beck, using what he called “Johnston-style” characters. He’s cheated quite a bit with his letterforms and spacing on some of the longer station names.
The Piccadilly line is also shown in what seems to us a very odd light blue, although Beck was simply following established colour conventions from earlier geographical maps. The now-familiar dark blue was in place by the time the diagram was officially released in January of 1933.
Source: Scanned from my personal copy of “Mr. Beck’s Underground Map" by Ken Garland